This is the bibliography to Illinois Classical Studies 24-25 (1999-2000), which comprises the publication of selected papers presented originally at the conference “Euripides and Tragic Theatre in the late 5th Century,” held 12-16 May 1999 at The Banff Centre, Alberta, Canada. This bibliography can also be viewed as a PDF file.

Adams, J. N. 1984. “Female Speech in Latin Comedy.” Antichthon 18: 43-77.

Adrados, F. R. 1959. “El amor en Euripides.” In M. Fernández Galiano et al. (eds.), El descubrimiento del amor en Grecia (Madrid) 177-200.

Aélion, R. 1983. “La technique dramatique d'Euripide et sa conception de la destinée humaine.” In F. Jouan (ed.), Visages du destin dans les mythologies (Paris) 69-85.

Alexiou, M. 1974. The Ritual Lament in Greek Tradition. Cambridge.

Alföldi, A. 1955. “Gewaltherrscher und Theaterkönig.” In K. Weitzmann (ed.), Late Classical and Medieval Studies in Honour of Albert Matthias Friend, Jr. (Princeton) 15-55.

Allen, B. 1996. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis.

Allen, J. T. 1919. “The Greek Theater of the Fifth Century before Christ.” UCPCP 7.1: 1-119.

----. 1922. “The Orchestra-Terrace of the Aeschylean Theater.” UCPCP 7.2: 121-28.

Allen, J. T. and G. Italie. 1954. A Concordance to Euripides. Berkeley, Los Angeles and London.

Alt, K. 1952. Untersuchungen zum Chor bei Euripides. Diss. Frankfurt am Main.

Altena, H. G. Forthcoming. Theatrical Communication and the Chorus: An Analysis of Euripides’Hekabe, Herakles and Phoinissai.

Alvaro, C. 1949. La Lunga Notte di Medea. Milan.

Amelung, W. 1899. “Chiton.” RE III 2309-35.

Anderson, W. D. 1966. Ethos and Education in Greek Music. Cambridge, MA.

----. 1980. “Euripides.” In The New Grove Dictionary of Music and Musicians (London) VI 294-95.

----. 1994. Music and Musicians in Ancient Greece. Ithaca and London.

Anderson, W. S. 1970. “A New Menandrian Prototype for the Servus Currens of Roman Comedy.” Phoenix 24: 229-36.

----. 1982. “Euripides’ Auge and Menander’s Epitrepontes.” GRBS 23: 165-77.

Andrewes, M. 1924. “Euripides and Menander.” CQ 18: 1-10.

Annas, J. 1993. The Morality of Happiness. Oxford.

Anti, C. 1947. Teatri greci arcaici. Padua.

Arnott, P. D. 1959. “Animals in the Greek Theatre.” G&R 6: 177-79.

----. 1961. “Greek Drama and the Modern Stage.” In W. Arrowsmith and R. Shattuck (eds.), The Craft and Context of Translation (Garden City, NY) 113-28.

----. 1962. Greek Scenic Conventions in the Fifth Century BC. Oxford.

----. 1989. Public and Performance in the Greek Theatre. London.

Arnott, W. G. 1973. “Euripides and the Unexpected.” G&R 20: 49-63.

----. 1978. “Red Herrings and Other Baits: A Study in Euripidean Techniques.” MPhL 3: 1-24.

----. 1981a. “Moral Values in Menander.” Philologus 125: 215-27.

----. 1981b. “Double the Vision: A Reading of Euripides’ Electra.” G&R 28: 179-92.

----. 1982. “Off-Stage Cries and the Choral Presence: Some Challenges to Theatrical Convention in Euripides.” Antichthon 16: 35-43.

----. 1983. “Tension, Frustration and Surprise: A Study of Theatrical Techniques in Some Scenes of Euripides’ Orestes.” Antichthon 17:

13-28.

----. 1986. “Menander and Earlier Drama.” In Betts, Hooker and Green 1986: 1-9.

----. 1990. “Euripides’Newfangled Helen.” Antichthon 24: 1-18.

----. (ed.). 1996. Menander II. Loeb Classical Library. Cambridge, MA and London.

Arnould, D. 1990. Le rire et les larmes dans la littérature grecque d'Homère à Platon. Paris.

Arrowsmith, W. 1954. The Conversion of Heracles: An Essay in Euripidean Tragic Structure. Diss. Princeton University. Reissued Ann Arbor 1968.

----. 1968. “Euripides’Theater of Ideas.” In E. Segal 1968: 13-33.

Arthur, M. 1977. “The Curse of Civilization: The Choral Odes of the Phoenissae.” HSCP 81: 163-85.

d'Atri, S. S. 1987. The Comedy of Anxiety: The Influence of Euripides on Menander. Diss. Rutgers University. Summary in DA 48 (1988) 1759A.

Austin, C. 1968. Nova fragmenta euripidea in papyris reperta. Berlin.

Bacon, H. H. 1961. Barbarians in Greek Tragedy. New Haven.

----. 1994-95. “The Chorus in Greek Life and Drama.” Arion 3.1: 6-24.

Baege, W. 1913. De Macedonum sacris. Diss. Halle.

Bain, D. M. 1975. “Audience Address in Greek Tragedy.” CQ 25: 13-25.

----. 1977a. Actors and Audience: A Study of Asides and Related Conventions in Greek Drama. Oxford.

----. 1977b. “[Euripides] Electra 518-544.” BICS 24: 104-16.

----. 1981. Masters, Servants and Orders in Greek Tragedy: A Study of Some Aspects of Dramatic Technique and Convention. Manchester.

----. 1984. “Female Speech in Menander.” Antichthon 18: 24-42.

----. 1987. “Some Reflections on the Illusion in Greek Tragedy.” BICS 34: 1-14.

Barchiesi, A. 2001. “The Crossing.” In S. J. Harrison (ed.), Texts, Ideas and the Classics (Oxford) •••-•••.

Barigazzi, A. 1955. “Studi menandrei II: La prima scena del IV atto degli Epitrepontes e il primo brano del papiro Didot.” Athenaeum 33: 278-326.

----. 1965. La formazione spirituale di Menandro. Turin.

Barker, A. 1984. Greek Musical Writings I: The Musician and his Art. Cambridge.

----. 1989. Greek Musical Writings II: Harmonic and Acoustic Theory. Cambridge.

Barlow, S. A. 1986a. “The Language of Euripides’Monodies.” In Betts, Hooker and Green 1986: 10-22.

----. (ed.). 1986b. Euripides. Trojan Women. Warminster.

Barner, W. 1971. “Die Monodie.” In Jens 1971: 278-320.

Barnes, J. 1979. The Presocratic Philosophers II. London.

Barrett, W. S. (ed.). 1964. Euripides. Hippolytos. Oxford.

Bartow, A. 1988. The Director’s Voice: 21 Interviews. New York.

Bassett, S. 1931. “The Place and Date of the First Performance of the Persians of Timotheus.” CP 26: 153-65.

Basta Donzelli, G. 1978. Studio sull’ “Elettra” di Euripides. Catania.

----. 1980. “Euripide, Elettra 518-544.” BICS 27: 109-19.

Battezzato, L. 1995. Il monologo nel teatro di Euripide. Pisa.

----. 2000. “Pragmatica e retorica delle frasi interrogative in Euripide: Note ai fr. 125 e 255 Nauck e ad Andr. 366 s. (con una parentesi sul fr. 172 Nauck).” MD 44: 141-73.

Bauman, R. 1978. Verbal Art as Performance. Rowley, MA.

Behler, E. 1986. “A. W. Schlegel and the Nineteenth-Century Damnatio of Euripides.” GRBS 27: 335-67.

Bélis, A. (ed.). 1992. Corpus des Inscriptions de Delphes III: Les Hymnes à Apollon. Paris.

Belpassi, L. 1988. “L’Oreste ‘Taurico’ e l’efebia: Alcune considerazioni sui vv. 67-122 della IT di Euripide.” QUCC 30: 117-21.

Bernardi Ferrero, D. de. 1966-74. Teatri classici in Asia Minore. 4 vols. Rome.

Bernhard, P. 1976. “Campagne de Fouilles 1975 à Ai Khanoum.” CRAI 1976: 287-322.

----. 1978. “Campagne de Fouilles 1976-1977 à Ai Khanoum.” CRAI 1978: 421-63.

Bernhard, P. et al. 1973-92. Les fouilles d'Ai Khanoum. 8 vols. Paris.

Berry, E. G. 1940. The History and the Development of the Concept of YEIA MOIRA and YEIA TUXH down to and including Plato. Chicago.

Bers, V. 1994. “Tragedy and Rhetoric.” In I. Worthington (ed.), Persuasion: Greek Rhetoric in Action (London) 176-95.

Berve, H. 1926. Das Alexanderreich auf prosopographischer Grundlage. Munich.

Beschi, L. 1996. “La democrazia e il mondo della musica.” In Sakellariou 1996: 35-50.

Betts, G. G. 1965. “The Silence of Alcestis.” Mnemosyne 18: 181-82.

Betts, J. H., J. T. Hooker and J. R. Green (eds.). 1986. Studies in Honour of T. B. L. Webster I. Bristol.

Beversluis, J. 2000. Cross-Examining Socrates: A Defense of the Interlocutors in Plato’s Early Dialogues. Cambridge.

Bieber, M. 1928. Griechische Kleidung. Berlin and Leipzig.

----. 1934. Entwicklungsgeschichte der griechischen Tracht. Berlin.

Biehl, W. (ed.). 1965. Euripides. Orestes. Berlin.

----. (ed.). 1975. Euripides. Orestes. Leipzig.

----. (ed.). 1989. Euripidis Troades. Heidelberg.

Bierl, A. 1991. Dionysos und die griechische Tragödie: Politische und “metatheatralische” Aspekte im Text. Munich.

----. 1994. “Apollo in Greek Tragedy: Orestes and the God of Initiation.” In J. Solomon (ed.), Apollo: Origins and Influences (Tucson) 81-96.

Bierl, A. and P. von Möllendorff (eds.). 1994. Orchestra. Drama, Mythos, Bühne: Festschrift für Hellmut Flashar. Stuttgart and Leipzig.

Biers, W. R. and T. D. Boyd. 1982. “Ikarion in Attika: 1888-1981.” Hesperia 51: 1-18.

Björck, G. 1950. Das Alpha impurum und die tragische Kunstsprache. Acta Societatis Litterarum Humaniorum Regiae Upsaliensis 39. 1. Uppsala.

Blaiklock, E. 1952. The Male Characters of Euripides: A Study in Realism. Wellington, NZ.

Blanchard, A. 1983. Essai sur la composition des comédies de Ménandre. Paris.

Bloch, M. 1986. From Blessing to Violence: History and Ideology in the Circumcision Ritual of the Merina of Madagscar. Cambridge Studies in Social and Cultural Anthropology 61. Cambridge.

Bloch, M. and J. Parry (eds.). 1982. Death and the Regeneration of Life. Cambridge.

Boardman, J. 1975. “Herakles, Peisistratos and Eleusis.” JHS 95: 1-12 (with pls. I-IV).

----. 1982. “Heracles, Theseus and the Amazons.” In D. Kurtz and B. Sparkes (eds.), The Eye of Greece (Cambridge) 1-28.

Boedeker, D. 1991. “Euripides’ Medea and the Vanity of LOGOI.” CP 86: 95-112.

Bogaert, R. 1965. “Le revirement de Ménélas.” LEC 33: 3-11.

Bond, G. W. (ed.). 1963. Euripides. Hypsipyle. Oxford.

----. (ed.). 1981. Euripides. Heracles. Oxford.

Bonfante, L. 1975. Etruscan Dress. Baltimore and London.

----. 1989. “Nudity as a Costume in Classical Art.” AJA 93: 543-70.

----. 1997. “Nursing Mothers in Classical Art.” In Koloski-Ostrow and Lyons 1997: 174-96.

Bongie, E. B. 1977. “Heroic Elements in the Medea of Euripides.” TAPA 107: 27-56.

Bonnard, A. 1945. “Iphigénie à Aulis: Tragique et poésie.” MH 2: 87-107.

Bonnechère, P. 1993. “Orthia et la flagellation des éphèbes spartiates: Un souvenir chimérique de sacrifice humain.” Kernos 6: 11-22.

----. 1994. Le sacrifice humain en Grèce ancienne. Kernos Suppl. 3. Liège.

Borecky, B. 1955. “La tragédie Alopé d’Euripide.” In Studia antiqua Antonio Salac septuagenario oblata (Prague ) 82-89.

Borthwick, E. K. 1968. “Notes on Plutarch De Musica and the Cheiron of Pherecrates.” Hermes 96: 60-73.

----. 1994. “New Interpretations of Aristophanes’ Frogs 1249-1328.” Phoenix 48: 21-41.

Bosworth, A. 1980-. A Historical Commentary on Arrian’s History of Alexander. 2 vols. Oxford.

----. 1989. Conquest and Empire: The Reign of Alexander the Great. Cambridge.

----. 1996a. Alexander and the East: The Tragedy of Triumph. Oxford.

----. 1996b. “Alexander, Euripides and Dionysos: The Motivation for Apotheosis.” In R. W. Wallace and E. M. Harris (eds.), Transitions to Empire: Essays in Greco-Roman History 360-146 B.C., in Honor of E. Badian (Norman and London) 140-66.

Bowersock, G. W. et al. (eds.). 1979. Arktouros: Hellenic Studies Presented to Bernard M. W. Knox. Berlin.

Bowie, A. M. 1993. Aristophanes: Myth, Ritual and Comedy. Cambridge.

----. 1997. “Tragic Filters for History: Euripides’Supplices and Sophocles’Philoctetes.” In Pelling 1997a: 39-62.

Braund, D. 1993. “Dionysiac Tragedy in Plutarch, Crassus.” CQ 43: 468-74.

Bravo, B. 1997. “Pannychis” e simposio: Feste private notturne di donne e uomini nei testi letterari e nel culto. Pisa and Rome.

Brelich, A. 1969. Paides e Parthenoi I. Incunabula Graeca 36. Rome.

Bremer, J. M. 1972. “Euripides’ Heracles 581.” CQ 22: 236-40.

----. 1976. “Why Messenger Speeches?” In J. M. Bremer, S. Radt and C. J. Ruijgh (eds.), Miscellanea tragica in honorem J. C. Kamerbeek (Amsterdam) 29-48.

----. 1989-90. “Apollo in de beklaagdenbank.” Sacris Erudiri 31: 65-76.

----. 1991. “Poets and their Patrons.” In Hoffmann and Harder 1991: 39-60.

----. 1993. “Aristophanes on his own Poetry.” In J. M. Bremer and E. W. Handley (eds.), Aristophane, Entretiens sur l'Antiquité Classique 38 (Geneva) 125-72.

Brisson, L. 1997. “Les Sophistes.” In M. Canto-Sperber (ed.), Philosophie grecque (Paris) 89-120.

Broadie, S. 1999. “Rational Theology.” In Long 1999: 205-24.

Brooke, I. 1962. Costume in Greek Classical Drama. London.

Brown, A. L. 1978. “Wretched Tales of Poets: Euripides, Heracles 1340-6.” PCPhS 24: 22-30.

----. 1984. “Three and Scene-Painting Sophocles.” PCPhS 30: 1-17.

Brulé, P. 1987. La Fille d’Athènes: La religion des filles à Athènes à l'époque classique. Paris.

----. 1990a. “De Brauron aux Pyrénées et retour: Dans les pattes de l’ours.” DHA 16.2: 9-27.

----. 1990b. “Retour à Brauron: Repentirs, avancées, mises au point.” DHA 16.2: 61-90.

Bubel, F. 1991. Euripides. Andromeda. Palingenesia 34. Stuttgart.

Bulle, H. 1928. Untersuchungen an griechischen Theatern. Munich.

Bulley. 1998. “Three Innocent Questions about Greek Tragedy.” CANews 19 (Dec.): 5-6.

Bulloch, A. W. (ed.). 1985. Callimachus. The Fifth Hymn. Cambridge.

Burck, E. 1933. “Die Kunst Menanders und ihre Bedeutung für die Entwicklung der Komödie.” Neue Jahrbücher 9: 417-31.

Burian, P. 1977a. “The Play Before the Prologue: Initial Tableaux on the Greek Stage.” In J. H. D’Arms and J. W. Eadie (eds.), Ancient and Modern: Essays in Honour of Gerald F. Else (Ann Arbor) 79-94.

----. 1977b. “Euripides’Heraclidae: An Interpretation.” CP 72: 1-21.

----. (ed.). 1985a. Directions in Euripidean Criticism. Durham, NC.

----. 1985b. “Logos and Pathos: The Politics of the Suppliant Women.” In Burian 1985a: 129-55.

Buriks, A. A. 1948. PERI TUXHS: De ontwikkeling van het begrip tyche tot aan de Romeinse tijd, hoofdzakelijk in de philosophie. Leiden.

Burkert, W. 1977. Griechische Religion der archaischen und klassischen Epoche. Stuttgart.

----. 1979. Structure and History in Greek Mythology and Ritual. Sather Classical Lectures 47. Berkeley.

----. 1983. Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth. Trans. P. Bing. Berkeley.

----. 1985. Greek Religion. Translation by J. Raffan of Burkert 1977. Cambridge, MA.

----. 1990. “Ein Datum für Euripides’ Elektra: Dionysia 420 v. Chr.” MH 47: 65-69.

----. 1994. “Orpheus, Dionysos und die Euneiden in Athen: Das Zeugnis von Euripides’Hypsipyle.” In Bierl and von Möllendorff 1994: 44-49.

Burnett, A. P. (transl.). 1970. Euripides. Ion. Englewood Cliffs, NJ.

----. 1971. Catastrophe Survived: Euripides’Plays of Mixed Reversal. Oxford.

----. 1973. “Medea and the Tragedy of Revenge.” CP 68: 1-24.

----. 1983. “The Virtues of Admetus.” In E. Segal 1983: 254-71. Originally in CP 60 (1965) 240-55.

----. 1985. “Rhesus: Are Smiles Allowed?” In Burian 1985a: 13-57.

----. 1998. Revenge in Attic and Later Tragedy. Sather Classical Lectures 62. Berkeley, Los Angeles and London.

Burton, R. W. B. 1980. The Chorus in Sophocles’ Tragedies. Oxford.

Burzachechi, M. 1962. “Oggetti parlanti nelle epigrafi greche.” Epigraphica 24: 3-54.

Busch, G. 1937. Untersuchungen zum Wesen der tuche in den Tragödien des Euripides. Heidelberg.

Buttrey, T. V. 1978. “Epic Illusions, Tragic Realities; or, Was Helen Overweight? (Euripides, Troades 1047-54).” LCM 3: 285-87.

Buxton, R. 1982. Persuasion in Greek Tragedy: A Study of Peitho. Cambridge.

----. 1987. “Euripides’ Alkestis: Five Aspects of an Interpretation.” In L. Rodley (ed.), Papers Given at a Colloquium on Greek Drama in Honour of R. P. Winnington-Ingram, The Society for the Promotion of Hellenic Studies, Supplementary Paper 15 (London) 17-31.

Bynum, C. W. 1991. Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion. New York.

Calame, C. 1977. Les choeurs de jeunes filles en Grèce archaïque. Rome.

----. 1986. “Facing the Otherness: The Tragic Mask in Ancient Greece.” History of Religions 26: 125-42.

----. 1994-95. “From Choral Poetry to Tragic Stasimon: The Enactment of Women's Song.” Arion 3.1: 136-54.

----. 1997. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role and Social Function. Translation by D. Collins and J. Orion of Calame 1977. Lanham.

----. 1999. “Performative Aspects of the Choral Voice in Greek Tragedy: Civic Identity in Performance.” In Goldhill and Osborne 1999: 125-53.

Caldwell, R. 1974-75. “Tragedy Romanticized: The Iphigenia Taurica.” CJ 70.2: 21-40.

Canevet, M. 1971. “Aspects baroques du théâtre d’Euripide.” Bulletin de l’Association Guillaume Budé 2: 203-10.

Capizzi, A. 1990. I Sofisti ad Atene. Bari.

Carpenter, T. H. 1997. Dionysiac Imagery in Fifth-Century Athens. Oxford.

Carpenter, T. H. and C. A. Faraone (eds.). 1993. Masks of Dionysus. Ithaca and London.

Carter, L. 1986. The Quiet Athenian. Oxford.

Cartledge, P. 1981. “Spartan Wives.”CQ 31: 84-105.

----. 1997. “Deep Plays: Theatre as Process in Greek Civic Life.” In Easterling 1997a: 3-35.

Casanova, A. 1997. “Riflessioni sul P. Mich. inv. 4733 fr. 2 (Menandro, Epitr. 786 ss.).” In B. Kramer, W. Luppe, H. Maehler and G. Poethke (eds.), Akten des 21. Internationalen Papyrologenkongresses, Berlin 1995, Archiv für Papyrusforschung Beiheft 3 (Stuttgart and Leipzig) 158-62.

Cassin, B. 1995. L’effet sophistique. Paris.

Castellani, V. 1989. “The Value of a Kindly Chorus: Female Choruses in Attic Tragedy.” In Redmond 1989: 1-18.

Ceccarelli, P. 1998. La pirrica nell’ antichità greco romana: Studi sulla danza armata. Università degli studi di Urbino, Filologia e critica 83. Pisa and Rome.

Chancellor, G. 1979. “Implicit Stage Directions in Ancient Greek Drama: Critical Assumptions and the Reading Public.” Arethusa 12: 133-52.

Chapman, G. A. H. 1983. “Some Notes on Dramatic Illusion in Aristophanes.” AJP 104: 1-23.

Chapouthier, F. 1935. Les Dioscures au service d’une déesse. Paris.

Chaudhuri, U. 1995. Staging Place: The Geography of Modern Drama. Ann Arbor.

Citti, V. 1979. Tragedia e lotta di classe. Naples.

----. 1991. “Eur. Hipp. 642.” Eikasmos 2: 123-25.

Clairmont, C. 1951. Das Parisurteil in der Antiken Kunst. Zurich.

----. 1993. Classical Attic Tombstones: Introductory Volume. Kilchberg.

Classen, C. J. (ed.). 1976. Sophistik. Wege der Forschung 187. Darmstadt.

Clement, P. 1949. “New Evidence for the Iphigeneia Legend.” AC 3: 393-409.

Coates, J. 1996. Women Talk. Oxford.

Cockle, W. (ed.). 1987. Euripides. Hypsipyle. Rome.

Cohen, B. 1997. “Divesting the Female Breast of Clothes in Classical Sculpture.” In Koloski-Ostrow and Lyons 1997: 66-92.

Cole, S. G. 1984. “The Social Function of Rituals of Maturation: The Koureion and the Arkteia.” ZPE 55: 233-44.

Cole, S. L. 1985. The Absent One: Mourning Ritual, Tragedy, and the Performance of Ambivalence. University Park, PA.

Cole, T. 1991. The Origins of Rhetoric in Ancient Greece. Baltimore.

Collard, C. 1975. “Formal Debates in Euripides’Drama.” G&R 22: 58-71.

----. 1980. “On Stichomythia.” LCM 5: 77-85.

----. (ed.). 1991. Euripides. Hecuba. Warminster.

Collard, C., M. J. Cropp and K. H. Lee (eds.). 1995. Euripides. Selected Fragmentary Plays I. Warminster.

Colvin, S. 1999. Dialect in Aristophanes: The Politics of Language in Ancient Greek Literature. Oxford.

Comotti, G. 1989a. Music in Greek and Roman Culture. Baltimore.

----. 1989b. “La musica nella tragedia greca.” In L. de Finis (ed.), Scena e spettacolo nell'antichità. Atti del convegno internazionale di studio, Trento 28-30 marzo 1988 (Florence) 43-61.

Conacher, D. J. 1967. Euripidean Drama: Myth, Theme and Structure. Toronto.

----. 1981. “Rhetoric and Relevance in Greek Tragedy.” AJP 102: 3-25.

----. (ed.). 1988. Euripides. Alcestis. Warminster.

----. 1998. Euripides and the Sophists: Some Dramatic Treatments of Philosophical Ideas. London.

Connor, W. R. 1970. “Theseus in Classical Athens.” In A. G. Ward (ed.), The Quest for Theseus (New York) 143-74.

----. 1985. “Razing of the House in Greek Society.” TAPA 115: 79-102.

Conte, G. B. 1994. Genres and Readers: Lucretius, Love Elegy, Pliny’s Encyclopedia. Baltimore.

Cook, A. B. 1914-40. Zeus: A Study in Ancient Religion. 3 vols. Cambridge.

Cook, N. 1998. Music: A Very Short Introduction. Oxford.

Cook, R. M. 1978. “The Peplos Kore and Its Dress.” JWAG 37: 84-87.

Cordano, F. 1994. “La città di Camarina e le corde della lira.” PdP 49: 418-26.

Corsaro, M. 1991. “Gli Ioni tra Greci e Persiani: Il problema dell’identità ionica nel dibattito culturale e politico del V secolo.” In H. Sancisi-Weerdenburg and A. Kuhrt (eds.), Achaemenid History VI: Asia Minor and Egypt: Old Cultures in a New Empire (Leiden) 41-55.

Craik, E. (ed.). 1988. Euripides. Phoenician Women. Warminster.

Croally, N. T. 1994. Euripidean Polemic: The Trojan Women and the Function of Tragedy. Cambridge.

Cropp, M. J. 1986. “Heracles, Electra and the Odyssey.” In Cropp, Fantham and Scully 1986: 187-99.

----. (ed.). 1988. Euripides. Electra. Warminster.

----. 1997. “Notes on Euripides, Iphigenia in Tauris.” ICS 22: 25-41.

Cropp, M. J., E. Fantham and S. E. Scully (eds.). 1986. Greek Tragedy and its Legacy: Essays Presented to D. J. Conacher. Calgary.

Cropp, M. J. and G. Fick. 1985. Resolutions and Chronology in Euripides: The Fragmentary Tragedies. BICS Suppl. 43. London.

Csapo, E. G. 1986. Stock Scenes in Greek Comedy. Diss. Toronto.

----. 1997. “Riding the Phallus for Dionysos.” Phoenix 51: 253-95.

----. Forthcoming (a). “The Politics of the New Music.” In Murray and Wilson, forthcoming.

----. Forthcoming (b). “From Aristophanes to Menander? Genre Transformation in Greek Comedy.” In Depew and Obbink, forthcoming.

----. Forthcoming (c). “The Production and Performance of Greek Comedy in Antiquity.” In G. Dobrov (ed.), A Companion to the Study of Greek Comedy (Leiden).

----. Forthcoming (d). “Kallippides on the Floor-Sweepings: The Limits of Realism in Classical Acting.” In Easterling and Hall, forthcoming.

Csapo, E. and W. J. Slater. 1995. The Context of Ancient Drama. Ann Arbor.

Cyrino, M. S. 1998. “Sex, Status and Song: Locating the Lyric Singer in the Actors’ Duets of Euripides.” QUCC 60: 81-101.

Dale, A. M. (ed.). 1954. Euripides. Alcestis. Oxford.

----. (ed.). 1967. Euripides. Helen. Oxford.

----. 1969a. Collected Essays. Cambridge.

----. 1969b. “Seen and Unseen on the Greek Tragic Stage: A Study in Scenic Conventions.” In Dale 1969a: 119-30.

D’Alfonso, F. 1994. Stesicoro el la performance: Studio sulle modalità esecutive dei carmi stesicorei. Rome.

Damen, M. 1989. “Actor and Character in Greek Tragedy.” Theatre Journal 41: 316-40.

Danielewicz, J. 1976. Morfologia Hymnu Antycznego. Poznan.

David, E. 1989. “Dress in Spartan Society.” AncW 19: 3-13.

Davidson, J. F. 1986. “The Circle and the Tragic Chorus.” G&R 33: 38-47.

----. 1988. “Homer and Sophocles’Electra.” BICS 35: 45-72.

----. 1995. “Homer and Sophocles’Philoctetes.” In Griffiths 1995: 25-35.

Davidson, J. N. 1997. Courtesans and Fishcakes: The Consuming Passions of Classical Athens. London.

Dawkins, R. M. (ed.). 1929. The Sanctuary of Artemis Orthia at Sparta. Society for the Promotion of Hellenic Studies, Supplementary Papers 5. London.

Dearden, C. 1999. “Plays for Export.” Phoenix 53: 222-48.

Decharme, P. 1895. Euripide et l’esprit de son théâtre. Paris.

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